{"id":827,"date":"2025-02-28T00:58:41","date_gmt":"2025-02-28T07:58:41","guid":{"rendered":"https:\/\/www.thomblum.com\/?page_id=827"},"modified":"2025-04-05T23:40:30","modified_gmt":"2025-04-06T06:40:30","slug":"my-intended-playlist-and-some-notes-for-my-day-as-dj-in-the-hifi-listening-room-at-sfmoma-august-2-2024","status":"publish","type":"page","link":"https:\/\/www.thomblum.com\/?page_id=827","title":{"rendered":"My intended playlist (and some notes) for my day as DJ, in the &#8220;HiFi Listening Room&#8221; at SFMOMA, August 2, 2024"},"content":{"rendered":"\n<p>Over the course of the day I had some (not enough) vinyl, but mostly I had CDs. Music I couldn&#8217;t fill with those media (or if a backup was required) I could stream, using a wireless interface provided (with some limitation). <\/p>\n\n\n\n<p>I also made or had LP-sized cover art for each album, and I posted it for the audience to see while the albums played. Occasionally people would come over to me while a track was playing and look at the cover art and chat for moment or two, especially if the same music left a strong impression on them at some point. <\/p>\n\n\n\n<p>BTW: Some of the streamable links in the playlists, below, weren&#8217;t used because I had some of the same music on CDs or vinyl.<\/p>\n\n\n\n<p><strong>Notes\/statements for intro<\/strong><\/p>\n\n\n\n<p>I compose New Music, a term that\u2019s totally lost its meaning today. But it goes by many other names, some you may have heard of or know: <\/p>\n\n\n\n<ul><li>Tape Music, <\/li><li>Musique Concr\u00e8te, <\/li><li>Found Sound<\/li><li>Experimental,<\/li><li>Electroacoustic, Electronic &nbsp;(but very different than \u201cEDM\u201d),<\/li><li>Acousmatic<\/li><li>Noise<\/li><\/ul>\n\n\n\n<p>just to scratch the genre\/name surface that&#8217;s blossomed over the last 80 years.<\/p>\n\n\n\n<p>Today is my musical calendar. I\u2019ll more or less present music in the order in which it \u201ccame into my life\u201d \u2014 when it took root in my budding\/nascent \u201ccomposer-mind\u201d.<\/p>\n\n\n\n<p>Throughout the 60s, starting around age 9 (1963), I lived on parallel tracks. One was classical music (played guitar specifically), the other was rock (played bass guitar)<\/p>\n\n\n\n<p>I was first introduced to most of the music I\u2019ll play between the ages of about 15 to 20.<\/p>\n\n\n\n<p>(I\u2019m thinking I\u201dll go through it in roughly the chronological order of the \u201cmeetings\u201d.)<\/p>\n\n\n\n<h2><strong>Some late-1960s influences &#8211; my ages 13-18<\/strong><\/h2>\n\n\n\n<p>You can hear tints and hints of \u201coutside\u201d and \u201cstraight-ahead&#8221; Jazz&nbsp;<\/p>\n\n\n\n<ul><li>King Crimson&nbsp;<\/li><li>Soft Machine<\/li><li>Frank Zappa<\/li><\/ul>\n\n\n\n<p>You can definitely hear concrete and tape music, electronic and acousmatic music<\/p>\n\n\n\n<p>&nbsp;and the bizarre&nbsp;oozing through for example the musics of<\/p>\n\n\n\n<ul><li>The Beatles &#8211; who were themselves tuned into the New Music<\/li><li>Jimi Hendrix<\/li><li>Frank Zappa and the Mothers of Invention<\/li><\/ul>\n\n\n\n<p>My music &#8211; sprinkle some in, but the playlist is about those who&#8217;ve inspired me.<\/p>\n\n\n\n<p>Maroc &#8211; 19:00<\/p>\n\n\n\n<p>Combustible &#8211; 7:00<\/p>\n\n\n\n<p>Flags, Riggings and Floors &#8211; 4:30<\/p>\n\n\n\n<p><strong>Here&#8217;s the playlist<\/strong> <\/p>\n\n\n\n<p><strong>Andr\u00e9s Segovia<\/strong><\/p>\n\n\n\n<p>Bach Cello Suite No. 6 in D Maj (BMV 1012) &#8211; 4:00<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Cello Suite No. 6 in D Major, BWV 1012: V. Gavotte (arr. for guitar)\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/28qPtcEtqiadCzhz7Gs52L?si=a2d66239bddc47f9&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Bach Cello Suite No. 1 in G Maj (BMV 1007) &#8211; 2:20<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Cello Suite No. 1 in G Major, BWV 1007: I. Prelude (arr. for guitar)\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/6zzFzmwb10BwWt3xwfWUsE?si=7a9da3cc3c884b27&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Bach\/Anonymous &#8211; Lute Suite in E Minor &#8211; 1:33<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Lute Suite in E Minor, BWV 996: V. Bourree (arr. for guitar)\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/1JJWmEPVXeUk3AFDfVSsNN?si=7f866aad836346bb&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Jimi Hendrix<\/strong>&nbsp;&#8211; Psychedelic (definition of); power trio (def of) \u2014&nbsp;<strong>VINYL<\/strong><\/p>\n\n\n\n<p>Jimi Hendrix, Noel Redding, Mitch Mitchell<\/p>\n\n\n\n<p>Electric Ladyland 1968<\/p>\n\n\n\n<p>\u201c1983\u2026 (A Merman I Should Turn to Be) &#8211;&nbsp;<strong>13:00<\/strong><\/p>\n\n\n\n<p>travel through psychedelia to acousmatic.<\/p>\n\n\n\n<p><strong>Cream<\/strong>&nbsp;&#8211; power trio (def of); Blues based; high-psychedlia \u2014&nbsp;<strong>CD<\/strong><\/p>\n\n\n\n<p>Eric Clapton, Jack Bruce, Ginger Baken<\/p>\n\n\n\n<p>Wheels of Fire 1968<\/p>\n\n\n\n<p>White Room &#8211; 5:00 (slower)<\/p>\n\n\n\n<p>Politician &#8211; 4:10 (andante)<\/p>\n\n\n\n<p>Those Were the Days &#8211; 3:00<\/p>\n\n\n\n<p>Crossroads &#8211; 4:20<\/p>\n\n\n\n<p><strong>King Crimson\u00a0<\/strong>\u2014 <strong>VINYL<\/strong><\/p>\n\n\n\n<p>Robert Fripp, Gordon Haskell, Keith Tippet, Jon Anderson, Mel Collins<\/p>\n\n\n\n<p>Lizard (1970 &#8211; sophomore in high school)<\/p>\n\n\n\n<p>Cirkus &#8211; 6:30 (energetic)<\/p>\n\n\n\n<p>Indoor Games &#8211; 5:40&nbsp;<\/p>\n\n\n\n<p>Happy Family &#8211; 4:20<\/p>\n\n\n\n<p>Lady of the Dancing Water &#8211; 2:50 (slow ballad)<\/p>\n\n\n\n<p><strong>Mothers of Invention&nbsp;<\/strong>\/ Frank Zappa&nbsp;<\/p>\n\n\n\n<p><strong>Absolutely Free&nbsp;<\/strong>&#8211; 1967\u2014 &nbsp;<strong>VINYL<\/strong><\/p>\n\n\n\n<p>Plastic People &#8211; 3:40<\/p>\n\n\n\n<p>The Duke of Prunes &#8211; 2:12<\/p>\n\n\n\n<p>[[[ Amnesia Vivace &#8211; 1:00<\/p>\n\n\n\n<p>The Duke Regains His Chops &#8211; 1:45<\/p>\n\n\n\n<p>Call Any Vegetable &#8211; 2:20 ]]]<\/p>\n\n\n\n<p><strong>Uncle Meat&nbsp;<\/strong>&#8211; 1969 \u2014&nbsp;<strong>CD<\/strong><\/p>\n\n\n\n<p>Uncle Meat: Main Title Theme &#8211; 2:00<\/p>\n\n\n\n<p>The Voice of Cheese &#8211; 0:30<\/p>\n\n\n\n<p>Nine Types of Industrial Pollution &#8211; 6:00<\/p>\n\n\n\n<p>Zolar Czaki &#8211; 1:00<\/p>\n\n\n\n<p>Dog Breath, In The Year Of The Plague 4:00<\/p>\n\n\n\n<p>The Legend Of The Golden Arches &#8211; 3:30<\/p>\n\n\n\n<p>Louie Louie &#8211; Live at the Royal Albert Hall &#8211; 2:20<\/p>\n\n\n\n<p>The Dog Breath Variations &#8211; 2:00<\/p>\n\n\n\n<p>Sleeping in a Jar &#8211; 1:00<\/p>\n\n\n\n<p>Our Bizarre Relationship &nbsp;&#8211; 1:00<\/p>\n\n\n\n<p>The Uncle Meat Variations &#8211; 5:00<\/p>\n\n\n\n<p>Electric Aunt Jemima &#8211;&nbsp;<strong>SKIP TRACK 12<\/strong><\/p>\n\n\n\n<p>Prelude to King Kong &#8211;&nbsp;<strong>SKIP TRACK 13<\/strong><\/p>\n\n\n\n<p>God Bless America &#8211; Live at Whiskey A Go Go &#8211; 1:15<\/p>\n\n\n\n<p>A Pound For A Brown On The Bus &#8211; 1:30<\/p>\n\n\n\n<p>Ian Underwood Whips It Out In Copenhagen &#8211; 5:00<\/p>\n\n\n\n<p>Mr. Green Genes &#8211; 3:15<\/p>\n\n\n\n<p>We Can Shoot You &#8211; 2:03<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Frank Zappa \u2014 VINYL<\/strong><\/p>\n\n\n\n<p>Hot Rats &#8211; 1969 &#8211; whole thing &#8211; 44:00<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Some of my late 1960s early &#8217;70s jazz influences<\/strong><\/p>\n\n\n\n<p><strong>Miles Davis\u00a0\u2014 VINYL<\/strong><\/p>\n\n\n\n<p>Miles Davis, Bennie Maupin, Wayne Shorter, John McLaughlin, Joe Zawinul, Dave Holland, Harvey Brooks, Chick Corea<\/p>\n\n\n\n<p>Bitches Brew &#8211; 1970<\/p>\n\n\n\n<p>Bitches Brew &#8211; 27:00Cecil Taylor Unit Structures &#8211; 1966 Enter, Evening -10:00 (off the Unit Structures album that was on Blue Note Records) <a href=\"https:\/\/open.spotify.com\/track\/1fhssVj5465AYKpfHy0A9P?si=3e1fcdbb35c94113\">https:\/\/open.spotify.com\/track\/1fhssVj5465AYKpfHy0A9P?si=3e1fcdbb35c94113<\/a><\/p>\n\n\n\n<p><strong>Weather Report \u2014 VINYL<\/strong><\/p>\n\n\n\n<p>Joe Zawinul, Wayne Shorter, Miroslav Vitous, Airto Moreira, Alphonse Mouzon<\/p>\n\n\n\n<p>Weather Report &#8211; 1971 &#8211; 40:00<\/p>\n\n\n\n<h2><\/h2>\n\n\n\n<h2><strong>An<\/strong> <strong>ear-opening education (CalArts 1972-75) &#8212; ages 18-21<\/strong><\/h2>\n\n\n\n<p><strong>Edgar Var\u00e8se<\/strong>&nbsp;\u2014&nbsp;<strong>CD<\/strong><\/p>\n\n\n\n<ul><li>Ionisation &#8211; 6:15<\/li><li>Density 21.5 &#8211; 3:30<\/li><li>Int\u00e9grales &#8211; 10:30<\/li><li>D\u00e9serts &#8211; 25:30 [Completed the year I was born, 1954]<\/li><li>(others later if needed)<\/li><\/ul>\n\n\n\n<p>Olivier Messiaen (1908-1992) &#8211;&nbsp;<strong>SPOTIFY<\/strong><\/p>\n\n\n\n<p><em><strong>Quatre \u00c9tudes de rythme<\/strong><\/em>&nbsp;(Four Rhythm Studies) is a set of four piano compositions by&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Olivier_Messiaen\">Olivier Messiaen<\/a>, written in 1949 and 1950.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Messiaen: Preludes \/ 4 Rhythmic Studies \/ Canteyodjaya\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/28xwlVzYQpD4dsk0QBquFt?si=JWXgYwSmQyiPuocSHg847A&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Luciano Berio \u2014 VINYL<\/strong><\/p>\n\n\n\n<p><strong><\/strong>Sinfonia &#8211; (Side 2) \u2014 15:00<\/p>\n\n\n\n<p><strong>PIerre Schaefer \u2014 CD (mine)<\/strong><\/p>\n\n\n\n<p>Cinq Etudes de Bruits (5 studies of noises) &#8211; first \u201cpublished\u201d Tape Music &#8211;&nbsp;<\/p>\n\n\n\n<p>HOME BURNED CD &#8211; 16:00<\/p>\n\n\n\n<p>(Wikipedia)The five \u00e9tudes were composed in 1948 and are the earliest pieces of&nbsp;<em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Musique_concr%C3%A8te\">musique concr\u00e8te<\/a><\/em>, a form of&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Electroacoustic_music\">electroacoustic music<\/a>&nbsp;first theorized by Schaeffer that utilizes recorded sounds as the primary compositional resource.<\/p>\n\n\n\n<p>The five \u00e9tudes were composed at the studio Schaeffer established at RTF (now&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Office_de_Radiodiffusion_T%C3%A9l%C3%A9vision_Fran%C3%A7aise\">ORTF<\/a>), the&nbsp;<em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Studio_d%27Essai\">Studio d&#8217;Essai<\/a><\/em>&nbsp;in&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Paris\">Paris<\/a>. They are:<sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Cinq_%C3%A9tudes_de_bruits#cite_note-1\">[1]<\/a><\/sup><\/p>\n\n\n\n<ol><li><em>\u00c9tude aux chemins de fer<\/em>&nbsp;&#8211; trains<sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Cinq_%C3%A9tudes_de_bruits#cite_note-2\">[2]<\/a><\/sup><sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Cinq_%C3%A9tudes_de_bruits#cite_note-3\">[3]<\/a><\/sup><\/li><li><em>\u00c9tude aux tourniquets<\/em>&nbsp;&#8211; toy tops and percussion instruments<sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Cinq_%C3%A9tudes_de_bruits#cite_note-4\">[4]<\/a><\/sup><\/li><li><em>\u00c9tude violette<\/em>&nbsp;&#8211; piano sounds recorded for Schaeffer by&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Pierre_Boulez\">Pierre Boulez<\/a><\/li><li><em>\u00c9tude noire<\/em>&nbsp;&#8211; piano sounds recorded for Schaeffer by Boulez<\/li><li><em>\u00c9tude path\u00e9tique<\/em>&nbsp;&#8211; sauce pans, canal boats, singing, speech, harmonica, piano<\/li><\/ol>\n\n\n\n<p>The works were premiered via a broadcast on 5 October 1948, titled&nbsp;<em>Concert de bruits<\/em>.<sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Cinq_%C3%A9tudes_de_bruits#cite_note-5\">[5]<\/a><\/sup><sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Cinq_%C3%A9tudes_de_bruits#cite_note-6\">[6]<\/a><\/sup><\/p>\n\n\n\n<p><strong>Iannis Xenakis \u2014 CDs<\/strong><\/p>\n\n\n\n<ul><li>Syrmos &#8211; 11:45 \u2014&nbsp;<strong>CD (commercial, track 5)<\/strong><\/li><li>Concret PH &#8211; 3:00 \u2014&nbsp;<strong>CD (commercial, Tracks 2 &amp; 3)<\/strong><\/li><li>Orient Occident &#8211; 11:30<br><\/li><li><strong>Karlheinz Stockhausen \u2014 CD &amp; SPOTIFY<\/strong><\/li><\/ul>\n\n\n\n<ul><li>Kontakte &#8211; 1958-60 &#8211; 35:00 \u2014 CD Track 3<\/li><li>Gesang der J\u00fcnglingen &#8211; 1955-56 &#8211; 13:14 \u2014&nbsp;<strong>SPOTIFY<\/strong><\/li><\/ul>\n\n\n\n<p>boy soprano (Josef Protschka) and tape<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Gesang Der Junglinge\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/0Y9DYv05QW8Cs8UTrXnRnA?si=aeed6ed0fa624f21&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Kurzwellen (Shortwave) &#8211; 1968 &#8211; 50:00 \u2014&nbsp;<strong>SPOTIFY<\/strong><\/p>\n\n\n\n<p>Aloys Kontarsky, piano; Alfred Alings and Rolf Gehlhaar, tamtam,<\/p>\n\n\n\n<p>Johannes Fritsch, viola, Harald Boj\u00e9, electronium, K. Stockhausen, filters<\/p>\n\n\n\n<p>and potentiometers<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Stockhausen: Kurzwellen\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/3LVGDRkrdb30oe6wQGi0GS?si=to_xo-kXRkOXBpy6gHav0Q&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Gy\u00f6rgy Ligeti <\/strong>\u2014&nbsp;<strong>SPOTIFY<\/strong><\/p>\n\n\n\n<p>Atmosph\u00e8res &#8211; 1961 &#8211; 9:05 &#8211; Used in Kubricks\u2019s 2001 A Space Odyssey&nbsp;<\/p>\n\n\n\n<p>Wiener Philharmonika (Claudio Abbado)<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Atmosph\u00e8res (1961)\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/2wyWAroJ3Uuu9IrMxZo37q?si=21f5c4ad2669453f&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Volumina &#8211; 17:30&nbsp;<\/p>\n\n\n\n<p>Gerd Zacher<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Volumina\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/5XGslkntQNluC0DPaqd6iU?si=a2fb9f3d6ee34250&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Luc Ferrari&nbsp;\u2014 CD (mine)<\/strong><\/p>\n\n\n\n<p><strong><\/strong>Far-West News &#8211; 1 HOUR<\/p>\n\n\n\n<p><strong>Steve Reich<\/strong>&nbsp;\u2014&nbsp;<strong>SPOTIFY<\/strong><\/p>\n\n\n\n<p>Violin Phase (tape an violin) &#8211; 1967 &#8211; 15:20<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Violin Phase\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/7DiTUqWeOAnAlZ5INl3GL6?si=99b01807ab9b4ff0&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Bernard Parmegiani&nbsp;\u2014 SPOTIFY<\/strong><\/p>\n\n\n\n<p><strong>De Natura Sonorum &#8211; 1975<\/strong><\/p>\n\n\n\n<p>Part 2 &#8211; 25:00 <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: De Natura Sonorum \u2013 Deuxi\u00e8me S\u00e9rie (1975)\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/6YYJJH26tphWk4RBLYkDzY?si=e6d86561721d4b98&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3><strong>Just a couple of my continual inspirations &#8212; 1980s, 1990s and beyond<\/strong><\/h3>\n\n\n\n<p><strong>Curtis Roads \u2014 SPOTIFY<\/strong><\/p>\n\n\n\n<p>Point Line Cloud 2005\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Point Line Cloud\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5BTuVYTjZ0qQhTNUPcHKBQ?si=3XytHeqPRLa5mXHN-I_hNA&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<ul><li>Half Life &#8211; Pts 1 and 2 &#8211; 9:00<\/li><li>Sonal Atoms<\/li><li>Granules<\/li><\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Horacio Vaggione<\/strong><\/p>\n\n\n\n<p>24 Variations &#8211; 10:00 \u2014&nbsp;<strong>SPOTIFY<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: 24 Variations\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/657Idct2UtgfAvCBYiBLZt?si=009e915bdf0d4c22&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>From&nbsp;<em>Fluides<\/em>&nbsp;\u2014&nbsp;<strong>CD (mine)&nbsp;<\/strong><\/p>\n\n\n\n<ul><li>Consort for Convolved Violins &#8211; 9:00<\/li><li>Pr\u00e9ludes suspendus III &#8211; 7:00<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-embed wp-block-embed-embed\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"U4H55ze27H\"><a href=\"https:\/\/www.thomblum.com\/?p=788\">Blum waxes acousmatic at SF MOMA&#8217;s Art of Noise<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Blum waxes acousmatic at SF MOMA&#8217;s Art of Noise&#8221; &#8212; \" src=\"https:\/\/www.thomblum.com\/?p=788&#038;embed=true#?secret=QTEaSeFgxP#?secret=U4H55ze27H\" data-secret=\"U4H55ze27H\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><figcaption>May 2024 blog entry promoting my DJ day<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><a href=\"https:\/\/www.thomblum.com\/\">thomblum.com<\/a><br><a href=\"https:\/\/thomblum.bandcamp.com\/\">thomblum.bandcamp.com<\/a><br><a href=\"http:\/\/www.instagram.com\/thomlblum\">http:\/\/www.instagram.com\/thomlblum<\/a><br>mohtmulb at gmail.com <br>or<br>thom at thomblum.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Over the course of the day I had some (not enough) vinyl, but mostly I had CDs. Music I couldn&#8217;t fill with those media (or if a backup was required) I could stream, using a wireless interface provided (with some &hellip; <a href=\"https:\/\/www.thomblum.com\/?page_id=827\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.thomblum.com\/index.php?rest_route=\/wp\/v2\/pages\/827"}],"collection":[{"href":"https:\/\/www.thomblum.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.thomblum.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomblum.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomblum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=827"}],"version-history":[{"count":9,"href":"https:\/\/www.thomblum.com\/index.php?rest_route=\/wp\/v2\/pages\/827\/revisions"}],"predecessor-version":[{"id":841,"href":"https:\/\/www.thomblum.com\/index.php?rest_route=\/wp\/v2\/pages\/827\/revisions\/841"}],"wp:attachment":[{"href":"https:\/\/www.thomblum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=827"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}