For available releases of this music please go to Bandcamp here
| Improvisition no. 3 for guitar and marbles (2022, 5:25) | electroacoustic |
| Improvisition no. 1 for jars and lids (2021, 6:17) | electroacoustic |
| Epenthesis (2019, 12:25), with percussionist Ron Pelletier | electroacoustic with percussion |
| Reset (tabula rasa) (2018, 9:50) | electroacoustic tale |
| Spanish Panoramas (guided improvisations with SoundFisher) (2015, 8:45) | postcard/abstract travelog |
| Walkways of the Hopeful and the Hopeless (2014-15, 7:50) | electroacoustic |
| Emancipation (2013, 7:30) | electroacoustic |
| Post from Rajasthan (2005, revised 2011) | audio postcard |
| Couplings (2012, 6:35) | audio postcard |
| TimePiece (Berlin, September, 2010) | sound installation at Ohrenhoch der Geräuschladen, for 8 playback devices with remote controls |
| Combustible (2008-2009, 7:05) | electroacoustic composition |
| Squelch (2005-06, 9:05) | electroacoustic composition mixing raw and processed field recordings; waveshaping is the primary processing technique in this piece. |
| Cycle (2004, 7:20) | electroacoustic composition mixing orchestral instrument samples, synthesized and processed sounds |
| Trio (2004) | music for choreography by Deborah Slater Dance Theater, co-composed with Erling Wold |
| Note from Patzcuaro (2003, 4:15) | audio postcard based on computer-processed field recordings of Patzcuaro, Mexico |
| nomen plaid (2003, 7:35) | electroacoustic composition |
| Things Frankie Heard (2002, 12:00) | based on computer-generated sound and processed field recordings of Desolation Wilderness, California |
| Maroc (1998, 19:10) | audio postcard based on computer-processed field recordings of Fez, Tanjer, Marrakesh, and Chefchaouen, Morocco |
| In or Out (1997) | based on computer-generated sound and live-processed sound of Radish Festival, Oaxaca, Mexico and Christmas festival, San Miguel de Allenda, Mexico |
| Musk (1997) | based on computer-generated sound and live-processed sound of souk in Marrakesh, Morocco |
| To My Son Parker, Asleep in the Next Room (1996, 9:35) | setting of poem of same title by the late Bob Kaufman, computer-generated sound and processed voice |
| Japanese Postcard (1995, 14:20) | audio postcard based on computer-processed field recordings of Tokyo, Hamamatsu, and Kyoto |
| Three Studies for Pedal Steel (1995, 9:05) | based on heavily computer-processed recordings of pedal steel guitar |
| Survival of the Fit Enough: The Galapagos Project — by Deborah Slater Dance Theater(2003) | soundtrack for evening-length dance theater piece, chronicling the author’s shipwreck and survival in The Galapagos Islands. (electroacoustic music and audio processing by T. Blum; instrumental music by Erling Wold) |
| Ship Wrecked (1:00) | Attacked by Waves (2:00) | The Life Raft (6:00) | A Miraculous Rescue (3:30) | |||||
| Ship Wrecked (1:00) | |||||||||||
| Attacked by Waves (2:00) | |||||||||||
| The Life Raft (6:00) | |||||||||||
| A Miraculous Rescue (3:30) |