For the most up to date and audible compositions, check out soundcloud.com/ThomBlum
| Emancipation (2013, 7:30) | electroacoustic | ||||||
| Post from Rajasthan (2005, revised 2011) | audio postcard | ||||||
| Couplings (2012, 6:35) | electroacoustic | ||||||
| TimePiece (Berlin, September, 2010) | sound installation at Ohrenhoch der Geräuschladen, for 8 playback devices with remote controls | aiff (excerpt, 15:15, begin playback very softly (pianissimo)) | |||||
| Combustible (2008-2009) |
electroacoustic composition consisting of lots and lots of micro edits | ||||||
| Squelch (2005-06) |
electroacoustic composition mixing raw and processed field recordings; waveshaping is the primary processing technique in this piece |
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| Cycle (2004) | electroacoustic composition mixing orchestral instrument samples, synthesized and processed sounds | mp3 (excerpt, 3.1 MB) |
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| Trio (2004) | music for choreography by Deborah Slater Dance Theater, co-composed with Erling Wold |
mp3 (full piece, 16.5 MB) |
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| Note from Patzcuaro (2003) |
audio postcard based on computer-processed field recordings of Patzcuaro, Mexico |
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| nomen plaid (2003) | electroacoustic composition | ||||||
| Things Frankie Heard (2002) |
based on computer-generated sound and processed field recordings of Desolation Wilderness, California |
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| J-Wake (2001) | based on computer-generated sound and processed field recordings of Californian and Mexican Pacific coastlines |
mp3 (excerpt, 6.1MB) | realaudio | ||||
| five haiku (2000) | based on computer-generated sound and processed field recordings of urban hikes in San Francisco, California |
mp3 (excerpt, 5.1MB) | realaudio | ||||
| Maroc (1998) | audio postcard based on computer-processed field recordings of Fez, Tanjer, Marrakesh, and Chefchaouen, Morocco |
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| In or Out (1997) | based on computer-generated sound and live-processed sound of Radish Festival, Oaxaca, Mexico and Christmas festival, San Miguel de Allenda, Mexico |
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| Musk (1997) | based on computer-generated sound and live-processed sound of souk in Marrakesh, Morocco |
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| To My Son Parker, Asleep in the Next Room (1996) |
setting of poem of same title by the late Bob Kaufman, computer-generated sound and processed voice |
mp3 (excerpt, 6:10) | realaudio (excerpt) | ||||
| Japanese Postcard (1995) | audio postcard based on computer-processed field recordings of Tokyo, Hamamatsu, and Kyoto |
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| Three Studies for Pedal Steel (1995) |
based on heavily computer-processed recordings of pedal steel guitar | ||||||
| Survival of the Fit Enough: The Galapagos Project — by Deborah Slater Dance Theater(2003) |
soundtrack for evening-length dance theater piece, chronicling the author’s shipwreck and survival in The Galapagos Islands. (electroacoustic music and audio processing by T. Blum; instrumental music by Erling Wold) |
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