Compositions
For available releases of this music please go to Bandcamp here
| Epenthesis (2019, 12:25), with percussionist Ron Pelletier |
electroacoustic with percussion |
| Reset (tabula rasa) (2018, 9:50) |
electroacoustic tale |
| Spanish Panoramas (guided improvisations with SoundFisher) (2015, 8:45) |
postcard/abstract travelog |
| Walkways of the Hopeful and the Hopeless (2014-15, 7:50) |
electroacoustic |
| Emancipation (2013, 7:30) |
electroacoustic |
| Post from Rajasthan (2005, revised 2011) |
audio postcard |
| Couplings (2012, 6:35) |
audio postcard |
| TimePiece (Berlin, September, 2010) |
sound installation at Ohrenhoch der Geräuschladen, for 8 playback devices with remote controls |
Combustible
(2008-2009, 7:05) |
electroacoustic composition |
Squelch
(2005-06, 9:05) |
electroacoustic composition mixing raw and processed field recordings; waveshaping is the
primary processing technique in this piece. |
|
|
| Cycle (2004, 7:20) |
electroacoustic composition mixing orchestral instrument samples, synthesized and processed sounds |
| Trio (2004) |
music for choreography by Deborah Slater Dance Theater, co-composed with Erling
Wold |
Note from Patzcuaro
(2003, 4:15) |
audio postcard based on computer-processed field recordings of Patzcuaro,
Mexico |
|
|
| nomen plaid (2003, 7:35) |
electroacoustic composition |
|
|
Things Frankie Heard
(2002, 12:00) |
based on computer-generated sound and processed field recordings
of Desolation Wilderness, California |
|
|
| J-Wake (2001, 12:50) |
based on computer-generated sound and processed field recordings of
Californian and Mexican Pacific coastlines |
| five haiku (2000) |
based on computer-generated sound and processed field recordings of
urban hikes in San Francisco, California |
| Maroc (1998, 19:10) |
audio postcard based on computer-processed field recordings of Fez,
Tanjer, Marrakesh, and Chefchaouen, Morocco |
|
|
| In or Out (1997) |
based on computer-generated sound and live-processed sound of
Radish Festival, Oaxaca, Mexico and Christmas festival, San Miguel de Allenda,
Mexico |
|
| Musk (1997) |
based on computer-generated sound and live-processed sound of souk
in Marrakesh, Morocco |
|
|
